what if you cracked an egg while you were cooking and a chicken fell out
AND THEY WERE PERFECT PARENTS TOO!
They were fiercely proud of their children’s accomplishments.
They played together as a family.
They went to school plays, parent/teacher interviews, and helped with school work.
They co-parented, Gomez was just as active in raising their children as Morticia was.
When their children wanted something that they disapproved of, they were disappointed but relented because it would make them happy.
Plus, all TV married couples kind of hate each other and argue 90% of the time for the sake of comedy, but these two have always seemed to be forever and always in love, which is kind of sweet.
And if that’s only possible because they’re weirdos, what does that say about us?
Is it odd I actually really like this post?
mighty fine post :’)
“We’re all a little weird. And life is weird. And when we find someone, whose weirdness is compatible with ours, we join up with them and fall into mutual weirdness and call it love.” ~ Dr. Seuss
weird love is best love

You’re a Bad MF! Carry on…

I’ve honestly never laughed at anything this hard in my entire life. I’m crying.
OH DEAR GOD WHAT WHAT SHIT
I need this on my blog again.
This is gold!
lost it at sail away. still laughing. it’s getting painful now

this should be an advertisement of under armour
The Body in Nature: Unusually Beautiful Photographs
Photographing the nude is just about as old as the camera itself… from cheesy pinups to surreal body landscapes, the form has been explored in just about every way imaginable. That’s why, when I ran across the work of Arno Rafael Minkkinen I was truly blown away. His work is filled with almost magical abstract forms created using just creatively positioned figures in the landscape and his well placed lens… nothing more. Each photograph is a revelation, something to decipher for its mysterious form and appreciate for its lyrical beauty.
Making these images even more astounding, most of them are self-portraits. Minkkinen says he does this because of the often underestimated danger in creating such images (which sometimes involve hanging off cliffs or staying under frozen snow for long periods). He also uses no assistant to position himself in the shots, so he must click the shutter button and accurately dance himself into position in just 9 seconds before the shutter fires. For more difficult shots he has sometimes employed a long cable release which he throws out of the scene before the image is taken.
Perhaps this is the element that makes Minkkinen’s images so incredible: he whole heartedly embraces reality. He has been working since long before photoshop and uses the image as it was taken by the camera with no manipulation of the image. He explains his thinking:
“If you are going to be under the snow, be under the snow. ‘Out of limitations new forms emerge,’ Georges Braque said. My translation: know what you will not do. For me this means embracing reality as a collaborator in the invention of the image, not overlaying multiple images to create such impressions. In the end, my negatives will never give away how I made any one of my photographs. They will always print with the same information as found in them the day the negatives were made.”
People shouldn’t be shamed for what they eat
Wanna eat meat? That’s okay
Wanna not eat meat? That’s okay
Wanna not eat anything the comes from animals at all? That’s okay
People shouldn’t be ashamed of what they eat, unless it’s people. Don’t eat people.